I was fortunate as a child, growing up in Toronto, to spend time in the country. I had relatives who lived there. I realised at a young age that my connection to nature was vital. This continues to be a compelling part of my life and my painting, finding that place that resonates and kickstarts my creative thinking.
My painting practice begins long before my work in the studio. I need to experience the landscape firsthand, immersing myself in the setting. As I explore, I photograph, shooting different angles, different perspectives. These photographs act as a reference, another eye. I often discover something I have not noticed, or connections I have overlooked. The photographs become a memory bank, a reference to be transformed.